Sunday, September 29, 2013
Monday, September 23, 2013
Monday, September 16, 2013
"The Curve" Beginning of Chapter One
Jordan
Cooper looked at his trainee, his last trainee, and wondered if the
horror they had already seen could be any more incredible by watching it as it
happened. Coroners’ reports are rarely substantiated by visual evidence,
but here it was. The note that came with the helmet cam from the coroner read:
“He
went out on a limb; take some Dramamine before you watch this, Coop. Dr. Robert
Kline, County Coroner.”
Jordan
handed it to the young face across the table and then adjusted the computer
screen so he could watch both the clip and the reflection of his rookie on the
screen. Terrance Hale read the note and sucked in his lips in a failing effort
not to smile.
“He’s
a sick man, with an outstanding sense of humor!” Jordan commented. “Now,
computer whiz, let’s see what we’ve got.”
Hale’s
fingers tapped the keyboard in deliberate staccato. It was an endearing quality
to Cooper that he finally had a trainee who wasn’t trying to impress him with
the speed of his or her knowledge of a keyboard. Hale’s was “adequate,” and,
more important, it was accurate. The fact is, if Cooper had his way, all
his trainees would have to hand-write all their police reports. Handwriting
told him a lot about a new cop. Details in The
Business were vital, but writing
revealed more: how organized and neat the writing was, how clear. Someone who
had superior penmanship had been writing for a long time, probably enjoyed it,
had a larger vocabulary. This “new” generation of cops wrote only when it was
time to write a check—even tickets were automated now. It was time to retire.
Jordan
slid the copy of the victim’s driver’s license across to Hale.
Richard
Lee Toy- 9/14/95
400
Ravenswood #9
Menlo
Park, CA 94025
Jordan
noted the exaggerated smile on the DL; he had probably just passed the driver’s
test and couldn’t hold back his happy face.
“Okay,
I think it’s ready to go, Cooper.” Hale’s mouth was open. Staring at the
screen, he took one good gulp and hit “play.”
It
started at Alice’s Restaurant. Richard Toy began narrating for his helmet cam,
turned his head, and noted landmarks for the “audience,” then turned his helmet
onto a rear-view mirror showing his own face and the sudden snap of the face
mask. He started his bike and slowly drew the camera across the gauges, then
took one last look into the rear-view mirror to make sure the camera was set
correctly atop the bright multi-colored helmet. The narration of his
every move made it clear he’d done this before many times. There were no quick
movements. The camera stayed steady—then suddenly he popped a wheelie. The
gauges and handlebars rose towards him, then he was on it.
Cooper
figured out where the body was found and where Alice’s was; even at mach five
it would be at least ten minutes. He sat back and watched the reflection
of his trainee. Smarter than most of past trainees, this one had more going for
him than he’d seen in a while—or was it that he was paying more attention
because this young face would be the last he’d sit in the “silly seat”
with? 6’6” and thin—too thin, with already fine and receding blond hair
cut short to a crew style. Jordan’s first order to him was, “Grow some hair,
get a hairdo, son, have some personality up there while you can, let everyone
else look like Aldo Ray, and get some sun on that skin!”
Of
course Hale didn’t know who the hell Aldo Ray was, but nodded his head in
agreement and said, “Okay, yessir.” The hair on his face appeared to grow only
in spots, the chin and some over his upper lip. The rest looked like only a
threat to grow in tiny spots around his jaw. Pale blue eyes that at times opened
so wide Jordan thought they could fall out of the sockets. It made him laugh
more than once. Like all trainees, he wanted to know it all at once, but unlike
all trainees he knew it would take more time and he fought his impatience
well.
The
whining of the gears began to annoy Jordan and he ordered Hale to mute the
clip. Hale was glued to small screen, subconsciously tilting his head for the
turns coming and then straightening it. Jordan asked him what he was seeing.
“This
guy is flying—look at the lines in the road!” Hale’s voice was elevated an
octave.
“Forget
the line or lines; look at the oncoming traffic—they’re blips! That is the
marker for judging speed. But you’re right, he’s moving it!”
They
watched the clip in silence and Jordan realized Richard Lee Toy could ride; he
definitely had Countach.
“Pause
the clip,” Jordan ordered.
Hale
abruptly straightened in his seat and hit a key, freezing the frame with Toy on
a 45-degree angle.
Jordan
looked at the screen and asked Hale, “Do you know what ‘Countach’ is?”
“It’s
a car …”
“
A Lamborghini … automobile,” Jordan corrected.
Hale
continued, I don’t know exactly what it means, only that it’s the name of that
motorcycle site where bikers pay to have their clips shown. It’s run by …”
“Yeah,
yeah, yeah, I’m familiar with him and his exploits. Brags that he’s outrun the
cops dozens of times, never been caught. Of course he never points out we’re in
SUVs and he’s on one of those.” Jordan pointed to the screen.
“Years
and years ago I was coming up 84 running code 3—choking baby, I think it was. I
hit Kesey’s and then the curve this clip ends on. I was over my vehicle’s limit
and I knew it. I drifted out over the center line just as a motorcycle going at
least 70-plus was shaving his turn. There was nothing to be done, so I braced
for the impact. There was a loud bang on the side of my door. My mirror snapped
back against the door—you know how it does. I looked in the rear-view inside
mirror. The biker was on a 45-degree still, only his arms were both
stretched off the bars, hands out, palms up … until one came up with a peace
sign. I couldn’t stop, and he clearly had no intention of stopping. Later that
night I was a watching a show about Lamborghinis and in particular there latest
model, ‘The Countach,’ which I
understood, if roughly translated, meant ‘WHOA’… Made me think of the
biker that day. After that …”
“You
mean you coined the phrase, ‘Riding Countach’?” Hale interrupted.
Cooper
studied the face across the table for second then continued.
“A
couple of bikers heard me use the term at Alice’s, and one thing led to
another. Unfortunately the ass who has that site has caused more injuries and
probably deaths than he knows or cares about. But I’m bringing this up because
looking at this young man’s ride—you wouldn’t know yet, but he’s got it … and
then some. He’s that good.”
“So
what happened?” Hale asked.
“Turn
it back on, let’s see …” Jordan knew the curve was coming up.
It
all happened suddenly, so suddenly in fact that at real speed all the camera
showed was the ground becoming sky then ground then sky and then a jolt. The
cam showed the tops of trees and then slowly fell through the surrounding
branches to land on an indistinguishable dark brown area where the camera lens
fought over and over to focus on whatever it landed on, but couldn’t.
“Take
it back a minute and put it on slow motion, Rookie.”
Hale
tapped gently on the keyboard, the picture froze, and then he looked at Jordan,
who nodded.
The
picture became slow “snapshots,” not really slow motion so much as short, slow,
time-lapsed images. They both watched. Then, there it was … Jordan
didn’t have to ask; Hale was already taking it back frame by frame. When he saw
“it” again he froze it.
“Oh
my God,” Hale said absently. He reached over for Jordan’s arm. Jordan just
nodded.
Richard
Toy died because a deer bolted from the left side of the road and ran into his
motorcycle just as he hit the apex of the curve. It shot him straight off the
small berm and sent him airborne. They played it back a few times. No way
Richard Toy could have anticipated or avoided the contact. What of course
happened to him after the contact just seemed cruel, incredible. Richard
Toy came off the motorcycle probably thinking “this one is going to hurt.”
He couldn’t have known the Kawasaki would spike up, snap a huge redwood branch, making
it a “lance,” and that he would hit that broken branch so hard it would center
punch his leather suit and stick out of his back more than a foot.
“Out
on a limb … that coroner’s a sick man,” Hale whispered.
“He
was an only child. Okay, Rookie, now you know the whole truth. Write it up. Oh,
by the way, this should tell you—you can be doing it right, you can be really
good doing it right, and it can still end wrong. So when you’re running code 3,
think about that deer and especially Mr. Toy.”
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